What is composed, and what is not.
Souvenyr uses automated composition. Here is exactly what that means — and what we will never do with your memories.
What is automated
Three things. The film's composition — which moments appear, in what order, at what pace — is proposed automatically and bound by fixed editorial rules. The soundtrack is generated instrumental music, written to the film's length and mood. The narration, where a plan includes it, is composed as text and then spoken by a synthetic voice.
Generated motion — from your photographs, and beyond them
Some sequences are short motion clips generated from your guests' actual photographs — a still your guest took, given a few seconds of cinematic movement. Where a chapter needs motion the photographs alone can't carry, the studio stages a cinematic insert from your event's own details instead. Both are atmosphere, not record: your photographs remain in the gallery, untouched.
What is not automated away
Your photographs and videos are arranged and timed, never repainted. The editorial ceilings are fixed in the system, not adjustable for engagement: narration on at most 12% of the film's beats, every emotional peak followed by a quieter one, stylised inserts capped at two. And nothing renders before the host has read and approved the treatment.
Narration is synthetic, and presented as such
The narrator's voice is generated. We choose restrained voice profiles, cap how often narration may speak, and never present the voice as a person. What it says is composed from your event's own details and passed through a discipline that removes stock sentiment before it can be read aloud.
No real person, invented
Staged cinematic inserts can include figures — and we want you to know that plainly: those figures are synthetic, staged like cinema, and presented as cinema. What we never do is put a real person where they weren't: no one's face or likeness is composed into a scene, no guest is depicted doing something they didn't do, and your real photographs and videos are never repainted. The record stays the record; the cinema stays the cinema.
Your memories are not training data
We do not use your media to train models, and every processing partner we work with is bound by an agreement that prohibits it. Your event exists to be composed into your film — that is the entire journey your media takes.
Removal, on request, for real
Any moment can come down: guests can ask for their own contributions to be removed, and hosts can ask for anything. Removals are handled by the studio, confirmed, and logged. A whole event can be erased the same way — confirm-gated and completed by a person.
If anything here is unclear, ask us directly. This page exists to be questioned.